Simple Math 2015: Simple Math Is Dead; Long Live The Gospel According To Saint Me
Veruca Salt – The Gospel According To Saint Me
In October, a catastrophic hard drive failure cost me my entire iTunes library – more than 85,000 songs collected over just shy of two decades. (Really! I started building my digital library way back in 1996, with live Husker Du bootlegs acquired from online trading communities and handfuls of punk and ska rarities downloaded off of sketchy FTP servers.) It doesn’t seem recoverable, not without a small fortune, and very possibly not with one either. I haven’t quite decided if I intend to try and rebuild or not. The real value of the collection was the stuff that can’t be found online anymore (or ever); the parts I could replace are the parts that it might not be worth replacing rather than just resigning myself to streaming from now on instead of ownership. Fortunately, my life has been far too busy to spend time worrying about, or even contemplating, what to do.
Not that iTunes would have been much use for my tallying this year’s Simple Math anyway – over the last few years, it’s largely become an archive of non-digitally-accessible tracks and a repository of star ratings, something to track what I’ve listened to and whether I’ve liked it, but not how much I’ve listened to it. And the one thing it was most useful for – keeping track of which albums I listened to over the course of the year – fell by the wayside when I ceased to add albums to my library post-crash. Meanwhile, my Spotify “Year In Music” feature didn’t, so far as I can tell, include anything I played offline, and certainly doesn’t include anything I loaded onto my account locally. And my Last.fm, by dint of not scrobbling Spotify plays on mobile, is essentially useless in providing any kind of accurate stats about my listening this year.
Even if I were able to get accurate stats, I’m not entirely sure what I’d find – this year has been one of change and upheaval, and my listening habits have been as chaotic as the rest of my life. The latter half of 2015 saw the bittersweet end of PropertyOfZack; a relocation from the urban hum of New York City to suburban south Florida; a farewell to six years of steady employment and a hello to a whole lot of question marks; and, six weeks ago, the birth of the most beautiful baby boy in the whole world*. Heck, truth be told, I’ve probably listened to more lullabies – played via Lionel’s sleep machine, by way of a decade-old iPod – in the last month than music the rest of the year combined.
That said, Makeup For The Silence has, from the start, been about music and storytelling and the places where those intersect. And if 2015 is the year I stop quantifying the music side of the equation, it is also the perfect year to shine a light on the storytelling I’ve done. While 2015 marked the end of PropertyOfZack, it also saw me making my presence felt more than ever at Alternative Press, as well as opening up new doors at Myspace and the Broward-Palm Beach and Miami New Times. And though things are currently a little to busy to focus on pitching elsewhere, I’m hoping that 2016 sees my writing finding its way into even more new spaces.
But it wasn’t just my reach that grew this year – I think I’m more proud of the writing I did in 2015 than any year prior. So, instead of recapping my musical stats, I thought I’d instead share some of the highlights of my year behind the keyboard. Welcome to The Gospel According To Saint Me. It’s gonna get loud; it’s gonna get heavy.
It Just Isn’t Like The Old Days Anymore – Mayday Parade [Alternative Press Magazine 328 / November 2015]
My first cover story for a national publication would have been the highlight of my year in any year. Mayday Parade, pop-punk’s ultimate play-it-safe band, bucked all expectations by growing darker and more daring at the exact time when most career-minded bands would have dialed back on the Risk-O-Meter. I suppose the jury is still out commercially – though it’s hard to imagine the band’s camp wasn’t disappointed by the precipitous fall-off in album-over-album sales, the band’s first in three outings – but Black Lines is an artistic triumph, and I think I did justice to the story of the album’s genesis.
Writing for the New Times might not come with the paycheck or the prestige of other publications, but the access it’s granted me to big-name artists from across the pop spectrum is priceless. This year I had the good fortune to chat with everyone from piano-pop legend Ben Folds, to Emily Haines of Canadian indie heavyweights Metric, to up-and-coming tropical house DJ Bakermat. But none topped interviewing Sam Moore, one half of Sam & Dave, the voices behind “Soul Man,” “Hold On, I’m Comin’” and a dozen more hits that defined the sound of Memphis Soul at the turn of the ‘70s. I don’t really have a bucket list, but if I did, chatting with a member of the Rock And Roll Hall Of Fame would have been near the top.
It’s easy to forget that 90% of the hot new buzz bands you’ll have served to you on a platter this year will be the ones flipping the metaphorical, and often literal, burgers a decade from now – talent (and, often, fanbase) be damned. Morris is back with a new project, Le Swish, but he’s also got a new outlook on life and some new ideas on where and how music should fit into it. His story isn’t unique, but you might think it was for how rarely it gets told.
SXSW Wrap-Up: These Things Happened. These Things Mattered. [PropertyOfZack]
South By South West is a strange chimaera, a beast of many looks that serves many masters, but it often only gets photographed from its “good” side. Truth is, there’s a lot more than happens at the industry’s yearly bacchanal than the anointment of next big things and the grousing of never-will-bes. There are other stories to be told and, while they’re not sexy, they’re frighteningly easy to find. But when the hype-makers are the ones charged with creating the official record, they develop a nasty habit of only recording what’s hyped. SXSW is so much more than anyone seems to talk about, and it deserves better treatment. With what will be a 3-month-old son, I’ll be missing out on SXSW 2016, but you can be sure my heart will be there, in all the corners the cool kids aren’t.
Conversing with Andrew W.K. was everything I could have imagined it would be; the man is a whip-smart deep thinker and a master of introspection, and better yet, he uses his powers for good. It felt almost criminal to have to edit down Wilkes-Krier’s soliloquies on art, feeling and life into interview-sized snippets.
Start Today: Bad Religion [PropertyofZack]
Bad Religion aren’t only foundational figures in SoCal punk and stalwarts of the current scene, they’re a remarkably consistent machine that’s churned out excellent album after excellent album for more than 30 years. That voluminous output makes their catalog as intimidating as it is deep, and made them the perfect candidates with which to launch our Start Today feature.
Matisyahu Spent The Past Five Years Discovering His True Self [Broward-Palm Beach & Miami New Times]
When your bizarre musical schtick is just a reflection of your unusual real life, what becomes of your career when that life drastically changes? It’s a question to which Matisyahu’s fanbase is still working out the answer, even if the man himself seems more certain than ever of who he’s supposed to be.
Pop singer/songwriter Ryan’s star is on the rise, but with only an EP to her name to date, it doesn’t seem that anyone has really plumbed her backstory yet. There’s nothing groundbreaking in our conversation, just some fun and revealing anecdotes that I haven’t seen told elsewhere – and really, isn’t that what this is supposed to be about? Sometimes the workaday pieces are the ones you’re happiest with.
Matter Of Time: A Chroma Q&A With Cartel’s Will Pugh [PropertyOfZack]
I first saw Cartel live in 2004, opening for Brandtson and the Rocket Summer in support of their debut EP. The full length they were writing at the time, Chroma, would top my very first Yearly Top Ten list in 2005. I’ve interviewed Will before, but sitting down with him before the band played that album in full, on occasion of its 10 year anniversary, felt especially significant. What followed was a marvelously candid discussion of not just the album’s stratospheric rise, but the band’s slow and steady descent over the decade that followed – one that’s landed them at a true career crossroads today.
Links to everything else I wrote this year after the cut.
- Sparrow Sleeps Make Naptime More Punk With Bayside Lullabies [AltPress.com]
- Killmama’s Sophie Sputnik Brings “Rock Edge” To Benefit Concert For Recovering Addicts[Broward-Palm Beach New Times]
- For Dance Gavin Dance,“The Turmoil Is All Just A Backdrop To The Music” [Broward-Palm Beach New Times]
- 10 Things You Should Know About Pentimento [Myspace]
- 10 Things You Should Know About Against The Current [Myspace]
- Bakermat on the Rise of Tropical House [Miami New Times
- Metric Talks Juno Awards, The Internet And Their Influences [Miami New Times]
- Ben Folds Returns To UM, But This Time He’s Bringing An Orchestra [Miami New Times]
- “Cabaret Rapper” Boyfriend Talks Sex Positivity And New Orleans Bounce Music [Broward-Palm Beach New Times]
- AP Recommends: Better Off [Alternative Press Magazine 329 / December 2015]
- AP Recommends: Moose Blood [Alternative Press Magazine 327 / October 2015]
- Nothing You Can Do That Can’t Be Done – Never Shout Never [Alternative Press Magazine 326 / September 2015]
- AP Recommends: Broadside [Alternative Press Magazine 326 / September 2015]
- Kough Kool – Matt Skiba & the Sekrets [Alternative Press Magazine 324 / July 2015]
- Four On The Floor: AP’s Pop Punk Roundtable [Alternative Press Magazine 324 / July 2015]
- AP Recommends: As It Is [Alternative Press Magazine 323 / June 2015]
- AP Recommends: Against The Current [Alternative Press Magazine 322 / May 2015]
- AP Recommends: SayWeCanFly [Alternative Press Magazine 322 / May 2015]
- 100 Bands You Need To Know — Chandos; Darlia; Moose Blood [Alternative Press Magazine 321 / April 2015
- Derek Sanders of Mayday Parade [AltPress.com]
- Dan Lambton of Real Friends [AltPress.com]
- Benjamin Biss of As It Is [AltPress.com]
- Danny Worsnop of We Are Harlot [AltPress.com]
- William Beckett of the Academy Is… [AltPress.com]
- Lynn Gvnn of PVRIS (APMAs Nominee) [Alternative Press Magazine 325 / August 2015]
- Split the 7″, Split the Interview: Kevin Devine & Meredith Graves Part 1 (5/26/15); Part 2 [PropertyOfZack]
- Shane Henderson [PropertyOfZack]
- Dustin Kensrue [PropertyOfZack]
- Split the 7″, Split The Interview: Kevin Devine & Matthew Caws[PropertyOfZack]
- Somos [PropertyOfZack]
- Make Do And Mend [PropertyOfZack]
- nowHere – Hell Knows i’m Miserable Now [Alternative Press 330 / Jan 2016]
- Mayday Parade – Black Lines [AltPress.com]
Live Performance Previews:
- Streetlight Manifesto, Culture Room 10/27/15 [Broward-Palm Beach New Times]
Other Music Writing:
- 12 Bands For January 2016 – Sundressed [Alternative Press Magazine 331 / February 2016]
- Most Anticipated – Set It Off [Alternative Press Magazine 331 / February 2016]
- Most Anticipated – Real Friends [Alternative Press Magazine 331 / February 2016]
- Most Anticipated – Modern Baseball [Alternative Press Magazine 331 / February 2016]
- Most Anticipated – Against The Current [Alternative Press Magazine 331 / February 2016]
- The Ten Best Mayday Parade Songs [AltPress.com]
- Warped Tour: The Bands We Might Stumble Upon – The Dirty Nil, Onward Etc. [PropertyofZack]
- Warped Tour: The Bands We’re Excited To See – SayWeCanFly, Family Force Five [PropertyofZack]
- Are We Growing Up Or Just Going Down? Ten Years of From Under the Cork Tree [PropertyOfZack]
- Inside Music Mini-Episode #1: Montage Of Heck [Haulix Presents: Inside Music Podcast]
- SXSW Day 5: #fashioncorerevival [PropertyOfZack]
- SXSW Day 4: Why Does Snoop Dogg Carry An Umbrella?[PropertyOfZack]
- SXSW Day 3: Start Old, End Young[PropertyOfZack]
- SXSW Day 2: All The Free Egg McMuffins You Can Eat[PropertyOfZack]
- SXSW Day 1: Smashing The Piggy Bank[PropertyOfZack]
- Artists To Watch In 2015 — Beach Slang [PropertyOfZack]
- Trust, Betrayal, Leaks and “Leaks” [PropertyOfZack]
If you enjoy these, as always, you can find a complete archive of everything I’ve written on the Clips page.
*every new parent says this about their child. All of them are correct.