#1 – AGAINST ME! – TRANSGENDER DYSPHORIA BLUES [spotify]

(feat. track – “Transgender Dysphoria Blues” [spotify])

Last year, I ranked Against Me!’s two song acoustic True Trans EP as my #3 Album of 2013. I’d never ranked anything so slight so highly before, and I have a hard time imagining something like that happening again, but those two little songs, even in their prehistoric state, rocked in a way few others had over the course of the year (or, indeed, many years).

As I noted in that post, I went and listened to the full Transgender Dysphoria Blues, which had just been released, as soon as I was finished posting. From the first notes of the hard-charging album-opening title track, I had a good feeling. By midway through the first listen, any fears I might have had – that the album would be overproduced, that the rerecorded tracks would lose some of their fire, that the rest of the songwriting wouldn’t measure up – were entirely allayed. By the time “Black Me Out” wrapped, it had already secured a spot in this year’s Top Albums. And here we are, almost twelve months to the day later, and Transgender Dysphoria Blues  still reigns supreme.

Unlike last year, when I was out on a limb with a weird little 7″ from a ready-to-be-forgotten band, there’s been a largely universal consensus on TDB’s greatness, a great understanding of the whats and whys that make it such a remarkable work, that rare combination, raw in-a-vacuum exceptional work mixed with with perfect timing and circumstance, context that only increases its meaning and power. There’s very little that hasn’t been said; indeed, where I normally have a couple pages ready to knock out without much thought. I’m struggling to come up with something I didn’t say last time around, something that a hundred critics haven’t laid out before me. Because Transgender Dysphoria Blues didn’t do anything to change my perceptions; if anything, it amplified them.

I had the pleasure of seeing Against Me! numerous times live this year. There was a time – when AM! were touring behind Searching For A Former Clarity – that I declared the band the best live act in the world. One decade and half a new lineup later, they’ve unexpectedly, miraculously returned to take that crown. Current drummer Atom Willard – known for hitting like a beast for Rocket From The Crypt and Angels & Airwaves, among others – hits like a beast for 90 solid minutes. Meanwhile, bassist Inge Johansson (Refused, (International) Noise Conspiracy), goofy and oafish onstage, plays with a palpably childlike joy. For her part, Laura Jane is as fired up as ever, though I swear there’s a glint in her eye now that was never there before – even when she’s coming from a place of anger, it’s a different place, somewhere more healthily situated, more tempered by perspective. (Guitarist James Bowman remains the band’s rock / secret weapon.)

So yeah, it’s a bit anticlimactic, but Transgender Dysphoria Blues is my Top Album of 2014 simply because nothing else could possibly be. Against Me! are the best live band, writing the best songs, recording the best recordings, rocking both the hardest and the most meaningfully. They’re the best band on the planet in 2014, and they made the best album of 2014. And they shall be honored thusly.